For two months, a bird’s been attacking my window with gusto. In fact, I now call the bird Gusto because I’ve never encountered a creature with such tenacity and mindless courage.
The first time Gusto slammed into my window, feet, and headfirst, I almost shat myself because I was doing the dishes and the window in question is about two feet from my face. When Gusto hit, I did that thing from Jaws where Brody sees blood in the water and the camera performs a dolly zoom, AKA a Hitchcock shot. That’s when the camera is dollied either forward or backward while the zoom on the lens is pulled in the opposite direction. A bit like life. Easy!
After ten seconds I reached for the bottle of whisky that’s no longer there because I’m a recovering alcoholic with a ghost addiction. I regard these reactions in the same way that amputees claim to still feel a missing limb. I sometimes wake up with a phantom hangover on Saturday mornings.
Apparently, Gusto is a Pee Wee and part of the Magpie family. In the realm of birds, I’ve always regarded the Magpies as the traditional 1920s mobsters and the Indian Myna Birds as the Eastern European gangsters. So, Magpies and their ilk are getting fucked over by the Mynas and that’s why I’m not too bothered by Gusto. The poor fucker’s the last of his kind and I feel a bit like that too.
And why? Because I’m drowning in a sea of miserable absurdity. I understand why Gusto is smashing himself against my kitchen window because he’s done with it all. It’s an existential crisis, poorly disguised as a reflective territorial dispute. We all have territorial disputes in our minds. Think paranoia versus reality, seasoned with good old-fashioned vitriol. But life’s not bad, it’s just problematic. Well, that’s what I tell myself in the dead of night as Gusto continues his attack on my kitchen window. Neither of us knows what’s next. My dreams absorb his attacks.
But we are at one, that concussed bird and me because I get his absurd task, and I hope he never stops, or at least stops before he breaks his neck. Before he does break his neck, I want to invite him in, have a sneaky whisky with him and tell him all my hopes and fears.
Maybe that line of communication will make him realise that all is not lost, it’s just a wee bit out of reach for now.
BTW this is a dolly zoom: https://www.youtube.com/watch?v=u5JBlwlnJX0
Once upon a time when I was a commuter …
The 19 tram is a fickle beast, prone to fits of madness, rage, and the inevitable delays of Melbourne public transport. For the most part, I like my tram route because it goes up Royal Parade past Princes Park and glides up Sydney Road spewing commuters onto the pavement and into the many bars and cafes along the way. It’s like a Mallee Ringneck feeding the road with tiny morsels of consumerism.
I can’t remember my first ride on the 19 tram but I do know that I’ve used it almost every day for the last nine years and I can even hear it clanking away at night, as I eat my dinner up in my wee flat amongst the trees.
I think it was the Bedroom Philosopher who wrote about the 86 tram a few years ago and he captured the spirit of the journey perfectly and some of the pretentious shitehawks who use the service. The 19 tram has a slightly similar ambiance but it’s also different in many ways. The main difference being that the 19 tram has a strange sense of nobility, particularly if you watch it stop and start, as it makes its way northward up Sydney Road from Brunswick Road. I love watching it slowly crawl up passed Blyth Street and disappear into the Land of the Hookah, the sun reflecting off its back windows. It reminds me of being a kid in Scotland, watching my Dad walk up David Street with the day’s takings tucked under his arm, in an old biscuit tin. Just a reassuring feeling of familiarity that makes us all feel at ease when perched on the edge of perpetual trepidation.
However, on a bad day, the 19 becomes my biscuit tin of nightmares. I only catch it a few stops down the road but when I see it approach my stop with its windows misted over and people packed in around the door I’m filled with dread. Why not walk I hear you ask? It’s only a few stops down the road. I’m constantly running late, so I end up having to squeeze myself in and just take it like a commuter. It’s that feeling of impending doom as I mount those stairs and squeeze myself into that jigsaw puzzle of arms, legs and torsos that pisses me off the most. Being stuck next to the person with a bag that’s far too big for what they really need to do that day. Music from earphones that’s too loud and never my cup of tea. Sour coffee breath, cheap deodorant, bullshit conversation, and that erratic pulse of unease from people just like me.
Poor morale is infectious and a bad start to the day.
But on the whole, I like the 19 tram. No, I love the 19 tram. It’s frequent, double carriaged, has mostly un-vandalised upholstery, runs most of the night/morning on Friday and Saturday nights and there’s something reassuring about coming home on the tram and getting off on Sydney Road and navigating your way across the road to Barkly Square. Crossing Sydney Road is an art form and is definitely an example of real life Frogger (see Seinfeld, season 9, episode 18).
So, next time you’re on the 19 tram have a think about its strong links to Sydney Road. It dominates that strip of road, which unfolds between Brunswick Road and Bell Street; a huge metal worm muscling its way up the asphalt in all its glory. One of the few trams in Melbourne with a soulful journey, as it passes through the ever-changing history of Brunswick and Coburg, disappearing into misty mornings and reappearing somewhere just beyond the Phantom Tollbooth.
And now, a poem about the morning commute on the 19 tram, by Bianca Frost:
The steel spine of Sydney Rd
as night gives way to yawning day
the e-class grumbling awake
into the electric current
inertia into motion
soiled steel bones grating scapular over knee
out of the old depot
resentfully onto old road Sydney
shuddering sputtering spat
the hacking paroxysms
mimic the percussion of smokers
splattering oily phlegm pocked
pearl purple green
with petrochemical carcinogens
on the daily lug every morning
up and down
arterial route 19
stop starting staring weary down the hill from Coburg
the twin lumbar spines of Moreland
stretching each articulated vertebrae
along the track
like a great glob of cholesterol
choking the straining heart
of commuters up the rabid carriageway
festooning turning rims with sprays of carbon grit
as it meets the expectant faces
of passengers ready to ride
not such a bad way to start the day
rumbles the tram with pride
Image of 19 tram courtesy of Bianca Frost (2015).